About

Kieran Rayner is an award-winning London-based New Zealand operatic baritone. He has recently made his Royal Ballet & Opera debut as Junius in Britten’s The Rape of Lucretia in the Linbury Theatre, and soon will cover Ned Keene in Peter Grimes on the Covent Garden main stage.

Since arriving in Britain in late 2014, Kieran has been engaged by The Royal Opera House, Garsington Opera, English Touring Opera, Scottish Opera, IF Opera, Longborough Festival Opera, British Youth Opera, Devon Opera, Euphonia Opera, Riverside Opera, Park Opera, and Saffron Hall, among others. He has sung oratorio solos across the UK, and has performed concerts and opera productions in venues from the Royal Albert Hall, to Buckingham Palace, to theatres in Singapore, New Zealand, and New Caledonia.

His operatic engagements include core roles such as Figaro in both Il Barbiere di Siviglia and Le Nozze di Figaro, Papageno in Die Zauberflöte and Guglielmo in Così Fan Tutte, roles in verismo opera (Silvio in I Pagliacci, Sharpless in Madam Butterfly), baroque opera (Gustavo in Faramondo, Valens in Theodora), operetta (Eisenstein in Die Fledermaus, Prince of Mantua in Fantasio), and contemporary works like new commissions Dare to Dream at the Royal Albert Hall for Garsington Opera, and Jasmine Morris’s Animal Farm at the Aldeburgh Festival (world premieres). He has a flair for the comedic (Le Mari in Les Mamelles de Tirésias, Vicar Gedge in Albert Herring), and dramatic (The Forester in The Cunning Little Vixen, Zurga in Les Pêcheurs de Perles, Pierre Lafitte in Amy Beach’s Cabildo). Concert highlights include Vaughan Williams’s Serenade to Music with John Wilson at Buckingham Palace, Stravinsky’s Pulcinella with Vladimir Jurowsky, Handel’s Messiah and Coronation Anthems, and Bach’s Christmas Oratorio at Snape Maltings, Sophie Scholl Passion (A play about the anti-Nazi student resistance movement The White Rose interwoven with the music of Bach’s Matthäus-Passion) at Southwark and Coventry Cathedrals, Haydn’s Creation at Chichester Cathedral, Mendelssohn’s Elijah, and Mahler’s Lieder eines fahrenden Gesellen at the Wellington Opera House NZ.

An accomplished writer-performer, Kieran created and performed in his own interactive play/recital WOHIN – WHERE TO?, which enjoyed a triumphant premiere with a full house at the Aldeburgh Festival 2022. It was a story-led show with a twist: the audience voted on the direction of the narrative, changing the musical programme and story. Including two new compositions and pieces by a diverse range of composers, this genre-blending piece touched on themes of travel, nature, love, disability, and technology, and how our choices can have unexpected effects; a light-hearted story with song at its soul.

He won the International SING FINZI Competition 2022, was a London Handel Festival Competition Finalist 2021, a Wigmore Hall International Song Competition semifinalist 2019, won the Garsington Opera Simon Sandbach Award 2019, the Royal Over-Seas League Philip Crawshaw Memorial Prize for an Outstanding Musician from Overseas 2018, the Emmy Destinn Czech song prize 2017, and 2nd prize in both the 2017 Brooks Van-der-Pump and 2016 AESS Patricia Routledge English Song competitions.

He was a Britten Pears Young Artist 2021-22, an Independent Opera Fellow 2019-20, a Garsington Opera Alvarez Young Artist 2018-19 and 2021, a Verbier Festival Atélier Lyrique Artist 2018, a Samling Artist, an Internationale Meistersinger Akademie Artist, and was a 2012-13 Freemasons Dame Malvina Major Emerging Artist with New Zealand Opera.

He graduated with an Artist Diploma and a Masters of Performance (Distinction) in 2018 from the Royal College of Music International Opera School studying with Russell Smythe, where he played eight principal roles in RCMIOS productions. Prior to this, he graduated from the New Zealand School of Music in 2011 with Distinction in a Postgraduate Diploma of Music and a BA in English Literature. He has been kindly supported by Independent Opera, the Kiri Te Kanawa Foundation, Help Musicians UK, and the Hunn Education Trust.

He has an eclectic range of other skills, from baroque dance to Shakespearean theatre and modern tap dance, and works regularly as a voice actor and audiobook narrator. He is a qualified Massage Therapist, and also has training in coaching and mentoring, professional copyediting, and Teaching English as a Foreign Language. When not working, you can find him running, playing board games, and saying hello to every cat he meets.

For Kieran’s current CV and biographies for programmes, please email him here.

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Photo credit: Simon Crompton-Reid

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Photo credit: Broadway Studios